The gallery was never meant to be a grand institution. It began as a kind of dream, a place where the precision of craft could meet the abstraction of art. An impulsive, ragged idea that chased the elegance of impossible forms. I liked the absurdity of it. The gallery was always more aspiration than strategy.
with thanks to: John Blakemore, Paul Gallagher, Paul Hill, Kerik Kouklis, Carl Radford and Andrew Sanderson, Robert Norbury
